Marshall dsl metal settings. They’re especially popular for their high-gain settings.

Marshall dsl metal settings *take notice!!! The new Marshall DSL40CR is a real winner for the company and working musicians who want a versatile rock/blues amplifier at a fair price. THE BOTTOM LINE About: The Marshall DSL40C is a powerful amplifier with a plethora of functions and tones. Pretty much just like every other amp on the market. ) Starting point for DSL40CR and Fractal FM3 80s Metal Settings? Thread starter WhiteShadow; Start date Apr 30 gain at 7-8/10 on 800 or noon on a DSL or 900, boost with a tube screamer with standard volume up gain down tone at noon or 1 o clock. When you get loud in a band mix is where you notice the difference. Since I started Marshall Amplification in 1962 I have witnessed Since you have the head, it'll be easy to try out different speakers. Does anyone have any pointers for a ‘brutal’ metal tone? My settings currently are: Ultra gain at 3 o’clock Tone shift out Treble at 3 o’clock Middle at 10 o’clock Bass at 3 o’clock. isn't necessary for good compression. For context, I would use this for metal and heavy rock mostly and would be running a pedal board through it. Find out more at https://marshall. The sound has been perfectly crafted to suit those with The Marshall DSL1CR is a guitar amplifier used and loved throughout the years by not just music enthusiasts but musical legends as well. Classic and Ultra channels deliver a variety of beloved Marshall tones from Malcolm-worthy crunch to Schenker-style distortion and beyond. Enjoy your DSL amp and please read this handbook carefully before plugging in. DSL40C Front Panel Controls & Switches (from Left to Right). The DSL series — a revered tonal heritage. I also have the Studio Vintage, Studio Classic, Origin 20, and the JVM215C. One of the amps in this series was DSL15C, released back in 2012. Manua. The ability to select either full output power or half-power via the Pentode/Triode switch on the rear panel, adds further to your DSL’s already impressive feature set. Marshall 4x12 120 watt for like $260. Marshall dsl 40CR Blackstar HT Club 40 MkII Boss Katana Artist MkII Additional information: my main guitar is a PRS Custom 24 35th Anniversary. You can adjust these settings according to your preference to achieve the I'm going off memory here (which could be suspect) as I used my brother's DSL with a TS9ri a fair bit. I bought it yesterday and i want to get Slash tone AcDc tone ect pkease help me but at first i want be able to play sweet child o mine If I play this thing next to my bro who is using my 6505+ the Marshall gets blown out of the water. I Love the Acid Bath. I've never owned a Sounds terrible when the volume is lower. The it is packed full of our famed Marshall tone. With my DiMarzio Super The Marshall DSL20CR is a powerful and versatile guitar amplifier that offers a wide range of settings to help you achieve your desired tone. Marshall's DSL40CR 40W Combo guitar amplifier is a versatile 1x12" combo amp bursting with authentic all-valve tone. Descended originally from thrash, it often employs heavily distorted guitars, tremolo picking, deep growling vocals, blast beat drumming, minor keys or atonality, and complex song structures with multiple tempo changes. I think the Marshall DSL series is a pretty versatile amp that would cover the styles you mentioned: pop, rock, metal and country, though the Marshall does have a distinct voice when it comes to rock and metal. The new DSL models feature adjustable power settings, which delivers all-valve tone and feel, at any volume, from bedroom to stage. Marshall Origin 20 (or 50) with a Boss SD-1!You can get ALL your glorious low gain 70s Plexi-ish classic tones to very gainy JCM-ish tones ( Boss SD-1 or RAT pedal included) pending settings. since the Fender is only 22-watts I ran the Marshall at half power. Anyway, this tone inspired me to record a quick video to showcase the tone for I’ve been playing since 1977. By understanding the various controls and exploring different settings, you can Both channels share a passive three-band EQ, with BASS, MIDDLE and TREBLE controls. It will do loads and loads of stuff, but it does them oversaturated tones very nicely. Sort by: Best. ls. Green channel, crunch mode, never used the deep mode or midshift as they suck, treble around 10:00, middle 12:00, bass 10:00, presence 10:00 gain around 2:00 and and used the TS9 with drive 0 tone 12:00 level full up. Marshall Amplification Plc reserves the right to alter specifications without prior notice. Lastly, try turning your EQ settings all the way down and adding back in the settings to taste. Marshall may be the iconic amp of Rock, but Laney started as the sound of Heavy Metal. Example: no bass, mids at 3, treble at 4. from classic hard rock and metal sounds. The DSL 100 Head and 40 Combo feature the same functions. The LOW POWER Because the DSL 20 is way louder than anything u have there. The old Marshall DSL is probably the most affordable, with the JCM2000 being the best jack of all trades I used. Jimmy Page tone 3. The only problem with buying one is that a lot of them are really expensive. Not that they can't get the kind of tones you're after, just doesn't sound like you'd be getting the best out of one. , az én esetemben az alaplap DSL100-60-00 ás nem eggyezik meg. In contrast, he "Origin" series are purely a money grab straight out of Marshalls marketing department, aimed at the segment of buyers that fall for nostalgia marketing Marshall DSL1HR - can get the head and a Marshall MX112cab together on Gear4Music for £380 all tube Marshall amp made to pretty much the same spec as the bigger DSLs Two channels - classic gain, goes from clean to the early rock and blues . However, if you're into the heavy genres, you'll want a Marshall Want to get a killer lead sound from your DSL? Look no further. I bought a DSL 201 new and the output transformer blew with very light use. 2024-09-17 01:17:27. Back to the question. Swore I'd never do one, but here it is. Feel free to post pics of your own gear, cool Signal Chain - Guitar - Korg PitchBlack Pro - Ibanez TS9 Tube Screamer - Dunlop KH95 Kirk Hammett Signature Cry Baby Wah - MXR Smart Gate - Marshall DSL 100H The DSL Series is both affordable and powerful and has put iconic Marshall tube tones in the hands of countless players who might otherwise not have gotten the chance. The speaker in the Marshall DSL 40 is better than the stock speaker in the DSL 20. Everything about the Vietnam DSL's just seem like a downgrade from the UK made JCM-2000 DSL series from the UK Dagnall transformers on down and i know earlier UK DSL's had bias problems. Skip the cable setup & start watching YouTube TV today–– for free. Marshall Amp Settings for Classic Blink Tone After a long time of wishing and saving, I finally sprang for my first tube amp and bought a Marshall DSL-40C. You can change your cookie settings at any time, or delete cookies, by going to our cookie consent page. Apr 30, 2024 · Starting point for DSL40CR and Fractal FM3 80s Metal Settings? Thread starter WhiteShadow; Start date Apr 30 gain at 7-8/10 on 800 or noon on a DSL or 900, boost with a tube screamer with standard volume up gain down tone at noon or 1 o clock. which when activated reconfigures the pre-amp mid frequencies making DSL ideal for contemporary metal tones, especially when combined with higher gain settings. The DSL is much more versatile and is more value for money though. Re: Marshall DSL for Thrash Metal? Back when I had a DSL100, I used the Lead 1-channel with the volume on 5 or 6, and the gain in roughly the same area. I used the Marshall as my second amp or delay amp. 1 day ago · Joe Bonamassa2009-05-11 02:04:04 Administrator Offline Registered: 2006-04-22 Posts: 702 Cool!, I actually miss spoke Use the clean channel settings. Advantages of the Marshall DSL20 over the DSL40 As we have said in our article "tube amps vs transistor amps" there are several elements in play, so for lower wattages, so far, I have always preferred the transistor ones (from 30w up, otherwise my experience is that they are completely covered by the drums), but lately I have played in a rehearsal room using this Marshall DSL 15H Head, a 15 w tube head loaded The ultra gain channel has lead 1 and lead 2 settings that are set at different gain levels. to full on heavy metal Download MARSHALL DSL100 service manual & repair info for electronics experts. Marshall guitar amplifiers · The default settings for the EQ controls on the Marshall DSL20CR are as follows: Bass - 5, Middle - 5, Treble - 5. we'd consider all of the Marshall DSL series options to be extremely high Joe Bonamassa2009-05-11 02:04:04 Administrator Offline Registered: 2006-04-22 Posts: 702 Cool!, I actually miss spoke Use the clean channel settings. We’ll show you the secrets to adjusting gain, fine-tuning EQ, and controlling volume for a powerful metal sound. Im getting my FREE JCM2000 stack tomorrow, and was wondering if you guys could post up some good metal toneage settings I can try out tomorrow. The n The latter has three settings: High activates 100 watts, STB (standby) keeps the tubes warm when you switch off the unit, and Low triggers the bisected power, i. I have a PRS Tremonti SE with stock pickups and like to play metal, punk, grunge and rock, so bands like Metallica, Incubus, Jimi Hendrix Amp Settings by the Numbers. Tips for exploring various Marshall amp settings when getting started: Gain control: Adjust the gain knob to find your desired level of distortion. The MARSHALL DSL 15C 15/7. Turn the pre amp up to desired crunch and then turn the master as loud as you can. ‘60s style bluesbreakers and the reissues will do but you’d have to rely far more on pedal gain than marshall dot com slash amps slash products slash amps slash dsl slash dsl40. Bass 5Mids 5-7 depending on what im playing. what settings sound good on marshall dsl 401? i would like to get something like a blink 182 sound. We plugged both into a Marshall 1960 cab, and the 5150 sounded more middy, while the DSL100H has that trademark Marshall "sizzle" in the upper mids. The DSL features professional quality digital REVERB and a series FX LOOP. com/marshall-amps/products/amps/dslYou can also find us on ou Idk if metal requires more headroom than most other genres for the additional low end some bands like to have but if 20w doesn’t cut it you can always try hunting down one of the original Marshall combos from the ‘70s through the ‘90s. U can’t go wrong with the DSL 20. com/marshall-amps/products/amps/dslYou can also f Re: Marshall JCM2000 DSL setting suggestions? Been awhile since I sold my DSL50 but I can say one thing, that amp plus the GT12-75s in that cab (assuming it's stock) are hard to dial in. All models include adjustable power settings, wh This Deja-Vu of a Marshall all-tube amp delivers 100 watts RMS into the cab, as it says Marshall on the front, be sure that is enough Power. Awesome! I Also found an EQ in the loop really brought those amps to life. Extremely affordable and it has the Marshall sound. The reason I said specifically no boosts is because people on another thread were naming metal bands who use the DSL for metal. Basically whatever sounds fun to learn. Maybe some baseline settings for a good heavy 80s hot rodded marshall tone if I’m running it Share your settings and describe the type of tone you’re getting. The DSL provides the legendary Marshall tone, allowing you to express your distinct the pre-amp mid frequencies making DSL ideal for contemporary metal tones, especially when combined with higher gain settings. I wanted to share my experience. The EQ and Gain knobs on the Marshall don't do anything. 5w ] which works FANTASTIC for bedroom to gigging players. It uses the same power tubes (6V6GT) as the FENDER Deluxe Reverb, and therefore has a similar sound. Someone mentioned Hatebreed. Origin 50C -vs- DSL 40CR - CRANKED MARSHALL Combo Comparison! If you are looking for that tight chuggy metal sound then I recommend getting an Hey guys, so I've checked some reviews about the Marshall DSL20CR and the MG50GFX and would like some recommendations of which to choose for the kinds of genres I'm into, as I bought my old (and now dead) Peavy amp more than 15 years ago. I don’t have any close shops that have these in stock for me to try out. I just used cheap azor 5 bands of amazon. Between the Marshalls, the Origin is more 60s inspired, less gain, sound is more in the direction of a Vox or Fender, but still got that classic 60s Marshall sound. I suppose pick-up heights also play a massive role e. If you want to get your distortion from your amp and not a pedal, turn the gain knob up to around seven or eight to mimic the saturated distortion tone that Hendrix was known for. After owning Marshall 80's solid state amps,Valvestate's and a Marshall JCM 900 head I have never heard that Marshall tone in head. Some other options aside from the 6505MH, I'm going to mention are the PRS MT15 and EVH 5150 LBX. DSL 50 green channel with volume maxed and gain at least 50% up sounds incredible though. I have had great luck with the Marshall DSL 【音色】Marshall DSL 20 HR Death Metal settings Deicide tone. pres 4 bass 5 mid 5. Marshall Amplification DSL20CR User Manual View and Read online. The Amplifier is a two-channel amplifier with digital reverb settings on each channel. Marshall DSL amps sound more modern, compressed and crunchier compared to Origin amps which sound a bit warmer and Marshall amplifiers are almost universally loved and used by guitarists of all persuasions. For those in need of an extra push, the Lead 2 tone stacks up even more gain and also a boost in the mids. . My Marshall DSL 20 HR arrived yesterday OMG this is the The next generation of the Marshall DSL series amps are laden with Marshall tone, features and functionality for the novice, as well as pros performing on the world's biggest stages. I set the Marshall to the green channel, which is the cleaner crunch channel. There are two modes for each channel. I have a Boss GT-1 effects processor which I can use with the Marshall or Blackstar. Interestingly, with this tube combination, the DSL40C settings - when set totally by ear - almost mimicked the VS265 settings identically. Which do you Home. Some Solid State amps have tone stacks that don't behave like most amps and you might find playing with weird or extreme tone settings gets you closer to where you want to be. The AVT footswitch that Marshall claimed would work did not. T: +44 First of all, I love my DSL100H and my 1960A cabinet. BC_Poor. I never had a problem with my 2003 DSL 50. The Marshall DSL100HR 100W tube guitar amp head delivers the iconic DSL tone that's driven rock and metal for decades, and adds modern features, including dual volume controls, an emulated output and built-in reverb. The LOW I hate talking videos. You just don't get that natural, organic sound. Basically anything with strings. It depends what you are looking for. I guess I gotta agee to some extent that the Marshall can do metalBut it's not ideal. You get the Power Scaling [ 20w, 3w, . The DSL 201 sounds better than the DSL 401 though. Marshall DSL1 Head tube amplifier with reverb. youtube. The VS265 is never adjusted appreciably from its rehearsal/performance settings shown. Once you’ve removed the grille, you’ll see the bias prongs. Log In / Sign Up; Advertise on Reddit; Shop Collectible Avatars; Marshall DSL 100 or EVH 5150 Iconic Gear Trying to ascend to a big boy rig but I’m on a budget Reddit's hub for metal musicians, engineers, producers, etc. a Tanyán található DSL kapcsolási rajzok sajnos nem stimmelnek, ugyanis az alaplapjuk más, olyannal kezdődnek, hogy JCM. I play classic rock, hard rock, old school heavy metal, hair metal 80s thrash metal. Death metal is a subgenre of heavy metal music. I have the 40w combo version of this amp and it's fucking killer. I own a DSL 20HR as well. . Marshall make great amps, and ideally, you just need to look at them for options. Marshall’s DSL, or Dual Super Lead, series has some pretty awesome amps. New posts Search forums. REAR PANEL FUNCTIONS. A nice wad of middle frequencies, and the rest of the EQ knobs adjusted to taste, but still around the 5-area. The 5150 was easier to dial because of that. Follow all instructions and heed all warnings The Marshall DSL and JCM2000 series of amps are fairly easy to bias as they have bias prongs on the back of the chassis that allow you to measure cathode current without removing the chassis from the head box. Classic Crunch and Ultra Gain Channel digital reverb. I simply run the output 1 from the Ax8 into the FX Return of the Marshall. Blues 2. You can see from the Hendrix Guitar. My next move was to buy a used JMP Pre 80's head,but I couldn't see spending $1500 on a head that I would have to crank the amp and lose more of my hearing. Picked up a new Marshall DSL1HR over the past weekend. My TSL 100 from 2005 had a lot of issues, but actually sounded better at lower volume. However, the MARSHALL DSL 15C Home is where some of the most inspiring musical ideas come to life, and what better way to practice your axe shredding than with the Marshall DSL1CR combo amp from the company’s DSL series. EQ. So none is strictly better than the other. The Classic Gain channel is everything I want it to be. The DSL1H has the classic Marshall tone and features expected on a DSL but at a lower power to suit those who play at home. This means it can hang in metal styles, but probably wouldn't be my first choice if you're looking for a truly metal-friendly amplifier. I have a Marshall DSL 40. I Will say go over 11 o'clock gain on OD2 it does turn to mush trust me you don't need much more and if you do push it with an od pedal, and over 2 o Mid to high gain metal/rock sound. Some Marshall amps will have additional FX (effects) settings, and may have a contour and presence To get the full metal effect of the DSL, you need really hot distortion-class humbuckers. Service manuals, schematics, eproms for electrical technicians. Also, I'm not really interested in changing the tubes, I'm happy Apostolis is playing with his Jackson guitar, testing Marshall JCM 2000 DSL 401 Dual Super Lead combo amplifier. The DSL provides the legendary Marshall tone, allowing you to express your distinct playing style and attitude. marshall. Heat did not seem to be a problem. The all-new DSL1 head and combos offer all-valve Marshall DSL tone in a smaller package. The combo is the pre-amp mid frequencies making DSL ideal for contemporary metal tones, especially when combined with higher gain settings. Marshall DSL100H Sound When it comes to sound, a lot can be said about the DSL100H. bandcamp. Page 1 DSL100HR & DSL40CR OWNER’S MANUAL; Page 2 INTRODUCTION Congratulations on your purchase of this Dual Super Lead (DSL) amplifier from Marshall Amplification. I am searching for settings of tones resonence and ect. edited 08 Nov 2022 at 12:34 PM. Tried a marshall 4x12 once and it sounded way beefier and full. Apart from the JCM 2000 (it is not the DSL 100 despite being a DSL), that is quite the bang for the buck, and about same price as the DSL5CR. Adjustable Power OutputThe DSL models feature adjustable power settings, which delivers all DSL, because that is an amp with roots in an actual Marshall so it sounds good. It's got the cream back 65's not the 70/80s, which to my ears are complete cr@p. They’re especially popular for their high-gain settings. Hope this helps. Marshall is a great sound. As a power amp I use the one from a DSL 50 or the Torpedo Live Power Amp Simulator. From clean to distorted overdrives, the DSL is a versatile all valve amp that allows The DSL amps are more versatile due to the additional channel which has more gain but it is possible to get a good range of tones from the Origin amp as well, the gain just won’t be as high compared to when you max out the DSL. As a plus the 50 watt head looks brand new compared to the 100 watt head I have now which is a bit beat up. Slash I dont wan - The Marshall Team. Get a huge modern drive tone from your DSL with this tutorial. my ones are fairly level with the pickguard. Marshall DSL for modern tones by Johnipaps clarity is part of modern metal. Accept Cookies Reject Cookies Best Bias setting on DSL50 - my. Marshall has even included a 2-way footswitch for channel switching and the FX loop. MARSHALL AMPLIFICATION PLC, DENBIGH ROAD, BLETCHLEY, MILTON KEYNES, MK1 1DQ, ENGLAND. Shift button which, when activated (pushed in), shifts out the mid frequencies making the amp ideal for brutal, modern metal tones, especially when combined with high gain settings. warm,crunchy and chunky distortion. I want settings for: 1. Metal 5. I personally prefer the head but hey 🤷‍♂️ I forgot to mention that u could try out the Marshall origin series and decide which one u like best If you’ve payed a DSL 50 or 100 before, it does a great job with those tones at 1w. You cannot get one. high and low power settings, and a rear-panel series effects loop. The settings you posted yield a really nice tone on my American Special Strat. (2 guitars left and right) (tone sh Marshall DSL20 AMP settings DISCUSSION Share Add a Comment. for this video only metal settings, don´t ask me why, ha. The Ax8 is my pre-amp and EQ. I'll choose the Orange everyday before the DSL 20, I'm not sure if it can keep up with a drummer in an unmic'ed. 1 watt. Now they threaten us with the PEDL 91016 but they are not shipping any. I play metal/punk. Anyway, I'm using the cheapest compatible cabinet I could find online. DSL’s are VERY high gain amps. Imagine cranking up your amp and being able to achieve that bone-crushing, face-melting tone you’ve always dreamed of. Each channel also has its own Entry-level Marshall amps suck tbh. With the wrapped leather around it making it seem like a present given by the music Gods, the gold-colored front panel, and its conveniently small size that will fit absolutely anywhere in your house or studio, it is one of the Marshall's Legendary DSL Is Back in Action. Crank it up to get that heavy, thunderous low end that will Marshall amplifiers often have two channels (crunch/ OD and clean), a gain control, bass setting, mids setting and treble setting. Others have had nothing but good luck, and love them. The first thing you’ll have to do is remove the back metal grille. BC Rich Legacy Stealth a Death Metal Machine. I use this for when I wanna play thrash, speed, old school heavy metal. You also need to set them close to the strings. Have you found the perfect overdrive to push it that little bit further? Or the greatest way to use The DSL 20 is more than capable of pulling off great tone for most genres. But, as of now I use the Marshall alone (until I buy a Fender 4-10 BASSMAN re-issue or a 70's 4-10 Super Reverb which will become my main amp and the Marshall will be put in the second spot again) with effects pedals pushing it. Treble 5-7 also. com Rig page that Jimi used two 100-watt Marshall amps with four speaker cabs. The G12T-75's give the DSL a good deep sound and bring down the it's strongs mids a bit. I don’t have any issues with digital technology, but I find this reverb not wet enough. I play mostly heavier Achieving the perfect Marshall amp settings for metal guitar requires a balance of high-gain settings, carefully shaped EQ, and the right use of additional pedals. com/surfacexmusicMarshall The DSL is actually a pretty unique amp in the current Marshall line-up. Ultra Gain Channel? Not so fast? Whether Lead 1 Marshall DSL 20Legendärer Rock Sound für kleines Geld?Ein Marshall Amp für kleines Geld, in China gebaut, mit 20 Watt, umschaltbar auf 10 Watt, einem Effekte - The Marshall Team. So does anyone have any settings the personally use on this amp for Hardcore and Metal? I've had mild success setting everything to noon and adjusting from there but it'll take some time to really train my ears. The EQ section also features Tone Shift, which when activated reconfigures the pre-amp mid Tips for Experimenting with Marshall Amp Settings. Music background: metal. Origin needs to be turned up a fair amount before getting anywhere close to that sort of gain - and even then it would require the right pickups and a TS or Klon in front of it. New Year Sale: Pro Access 80% OFF 0 I haven’t owned the DSL40CR, but I did own a Marshall DSL15H, and a Marshall TSL100 with two Marshall cabs for many years. Just bought this Marshall amp. com/surfacexhttp://www. I e never had a pedal that sounded better than a good tune amp at distortion, but the tight metal is close. The next generation of the Marshall DSL series amps are laden with Marshall tone, features and functionality for the novice, as well as pros performing on the world's biggest stages. Forums. The LOW The next generation of the Marshall DSL series has arrived! These DSL amps are laden with Marshall tone, features and functionality for the novice, as well as pros performing on the world’s biggest stages. I have always had good success getting metal tone's out my DSL 50 with a 1960A cab with G12T-75's. Share advice, ask questions, promote Very different amps, the Marshall sounds like a Marshall, the fender like a Fender. Lets face it, Marshall moved manufacturing to VN cuz labor is a shit-ton cheaper than paying Brits. Cleans are nice marshall clean, crunch has the marshall roar close to that of the classic super lead, od1 has a brown sound to 80s metal and od2 is all out high gain. 🤣. The standby switch provides full (20-watt) or half (10-watt) power settings for full volume performance or lower volume recording and practice applications. The 6505mh does one thing really well and its metal. Tell your friend to make or buy an 18 watt clone. The four latest additions to the DSL line include the DSL15H 15-watt head, the DSL15C 15-watt 1x10 combo amp, DSL40C 40-watt 1x12 combo and the DSL100H 100-watt head. Not because VN is necessarily better. Even non-musicians recognize the white script logo against a black background and associate it with loud, powerful guitar sounds. making it Death metal is a subgenre of heavy metal music. Marshall Amplification DSL40C User Manual View and Read online. com/marshall-amps/products/amps/dslYou can also find us on o Hi all. Sweetwater. Breaking benjamin tone 6. Metal, Blues or any other sound. All channels sound great. Metal red channel gain about 3/4 which I will usually use the toneshift button when doing metal. I play primarily classic/hard rock, but do dabble a bit with bluesey things, and metal. The DSL offers a diverse range of features across the entire series including power reduction, studio quality reverb and two channels that can be controlled via a footswitch. If you're willing to play high gain stuff and need a versatile amp with decent cleans as a very good pedal platform get the DSL. 50 watts. I’ve played the DSL40CR a number of times at shops and liked what it has to offer. The cabinet size of the Marshall DSL 40 is much larger which equals a bigger sound. For me these settings work well. 5 treb 2 vol 6 gain 6 with the tube screamer. Those speakers have a very v shaped response curve to begin with so getting the sound you want might be a bit of a challenge. There are two settings on View the Marshall DSL20CR manual for free or ask your question to other Marshall DSL20CR owners. That's what I did after the 201 blew. They can also get plenty loud if needed with a 2x12. Correction: Bridge on the Harley Benton is actually a Gotoh VS100n I’m a bedroom player, I can play around 85-95db comfortably. Jul 5, 2009 · Re: Marshall JCM2000 DSL setting suggestions? Been awhile since I sold my DSL50 but I can say one thing, that amp plus the GT12-75s in that cab (assuming it's stock) are hard to dial in. At home it’s easy to sound good playing to backing tracks, etc IMHO. The DSL features professional quality digital REVERB and a series FX Re: Marshall DSL for Thrash Metal? I play a fair amount of metal on my DSL, I find the sweet spot for the volume is around 6 to 7, it likes to be played loud!!! :-) As far as settings for thrash, I use the Lead channels. It's a very deep and unique "warm" Marshall sound. Re: Marshall DSL for Thrash Metal? I play a fair amount of metal on my DSL, I find the sweet spot for the volume is around 6 to 7, it likes to be played loud!!! :-) As far as settings for thrash, I use the Lead channels. Though even with the heavier settings, you still hear a lot of the Marshall tonal signatures coming through the saturation. You can switch the Marshall back to 20 W or still having more channels to choose from. The DSL40CR's adjustable power output provides rich, articulate tube sound from bedroom to stage volume. Exceptional Marshall tones, versatile for genres from vintage to 80s metal Loud enough for live settings with 40W power, switchable to 20W for practice Compatible with pedals, enhancing sound Hey. So I would go for this one, except if you want a classic bluesy fender sound, for which the princetone is obviously According to all the blogs the DSL 40C footswitch dilemma has been going on since 2012 so don't be looking to Marshall, the actual manufacturer, to solve a thing. Start by adjusting the bass knob to add weight and depth to your tone. http://surfacex. Ended up selling both just due to stage volume being too uncontrollable. com Just finished paying off a Marshall DSL 100h . I've just ordered Tubescreamer. The Marshall had all the tones I love from bands like Thin Lizzy, Scorpions, Led In this article, we’ll dive deep into the world of Marshall amp settings for metal. of all subgenres and all skill levels. Those have a The Marshall DSL40CR is a modern classic! it has a high-gain channel called “Ultra Gain,” which enables you to get high-gain Santana or 80s Chug metal lead tones. 0. who was leaning toward a Marshall into the DSL 40C and The great man may have gone, but his legacy in rock 'n' roll continues loud and proud. 5 watt 1x12" Tube Combo is a very good guitar amplifier. Mid scooped and aggressive. com/surfacex-geardemoshttps://soundcloud. However, they also work well in cleaner settings. 00, read 12 real reviews, discover how 13 pro artists use it, and see photos of it in actual setups. 126. The dsl will get you hard rock tones and should do metal no problem with the boost pedal you have in front of it. This dual-channel powerhouse allows you to adjust power levels for that desirable cranked-amp tone at any volume level. I bought it because it seemed like a promising way to get that classic JCM800-type crunch at low volumes. If you don't like the way the amp sounds, remember your guitar, settings, and pickups all contribute to your overall sound. Each boasts all-tube circuitry, a dual-channel design, Re: EVH 5150 vs Marshall DSL My friend has an old 5150 while I own a DSL100H, and both have more than enough gain for metal. Yeah I’m old. All in all, I think the DSL line is cool and does kind of a more gainy JCM800 thing than what other Marshall's would sound like (the blues breaker, JTM, Plexi, etc). The EQ is made up of the standard bass, midrange, and treble settings. The 20/5/1w versions don’t have the classic gain crunch mode, so all you have is the clean classic gain This may sound like tone sacrilege, but If I could only have one Marshall I may take the JCM 2000 DSL over a your average JCM800. Vintage 30's seem to have too much mids to them for the DSL, they make it sound too harsh. már Gain at about 6½, I boost it with an EQD Plumes, gets an INSTANT hot rodded Marshall tone. Trust me, keep playing around with the settings (and maybe add a boost or EQ pedal) and you'll keep finding ways to make it sound even better. Marshall DSL 40C - See the best prices from $350. One of our favorite models from this line is the Marshall DSL40CR , a fantastic rig that we named our Top Pick in our roundup of the best combo amps for metal , as well as the Marshall DSL 40 CR for bedroom use and beginner. It’s the best way to stand out from the crowd and release your alter ego. The DSL 20 features professional quality digital REVERB and a series FX LOOP. Clapton 4. I got the Marshall DSL40CR last year after NAMM and I love the amp, but really wanted to this footswitch to make full use and instant access to all the channels/modes as the I have the Fortin and the Neural DSP plugin amps and I've tried them all, they're just not good enough tbh compared with a real physical amp. From Jim Marshall I would like to personally thank and congratulate you for selecting one of our Dual Super Lead, all-valve DSL15H head or DSL15C combos. Page 42 STARTING SETTINGS With your DSL you should find a sound that suits you. - The Marshall Team The DSL 20 Head and DSL 20 Combo feature the same functions. In the end hard to say but depends I think if you don't mind for high gain which the origin is not very good even with pedals and different tube tweaks I think it’s between the EVH 5150 Iconic 40w and the Marshall DSL40. comhttps://soundcloud. The DSL 1 features professional quality digital REVERB and a series FX LOOP, giving Delivering legendary all-valve Marshall tone, from shimmering cleans to punchy distorted overdrive, the DSL series allows you to easily flex the sound to your playing style. If you’re unfamiliar with the DSL series, I recently bought a dsl 100 and love the tone but I found a dsl 50 for the same price and sounds great also. With that out of the way (and maybe the Mode:4 if you ask Skolnick) then all good Marshall amps are more expensive (2203, Plexi, JTM 45, etc. My favorite tones are from: - 70s Scorpions - Randy Rhoads (live) - Early Van Halen - Metallica pre Black Ablum - Whitesnake (1987) - 80s Megadeth - 80s Ygnwie Malmsteen (particularly his tone on Amp: Marshall DSL 40 Guitar: LTD EX - 351 Pedals: Boss ME -40 pedalboard (has all effects) I’ve come pretty close to the ride the lighting tone, but the two albums sound quite different in my opinion The Equalisation (EQ) section of the Marshall DSL40C has the usual Treble, Middle, Bass and Presence controls (no Presence on a DSL401!) but instead of the Deep switch found on some of the original DSL range (not the DSL201 or the DSL401 unfortunately), there is a Resonance control knob which lets you add a variable amount of resonant bass boost to the power amp Bear in mind the DSL clean at all settings is not the type of clean people talk when they mention early marshall tones at reasonable volume level. e. Hope it helps people out. I’ve had my DSL1 for about a week now and I’m still exploring the tonal range of the amp. Marshall DSL CR Combo Amps Review. I tried the 5150 Iconic for the first time the other day at GC and really liked the sound of it. If there’s any amplifier company that’s an iconic part of rock and blues history, it’s Marshall. The amp also has a common five-knob EQ. but I'd like to play it at reasonable volumes to just in case Get that classic Marshall crunch and growl from your DSL in this tutorial. They're totally different sounding amps. I have 5 guitars, and each one sounds different on my amps, so I have to compensate with my settings and pedals. Open comment sort options steel, bass, amps, pedals, strings, picks, etc. I guess those tips aren't THAT useful, but it worked The 1960AV has actuall Vintage 30's in it. DISCUSSION Hi all, I mainly play in my bedroom but I primarily like playing metal (think metallica, megadeth, slayer, iron maiden, not new/modern metal) I can sometimes turn the amp up when my parents are downstairs or not home. The combo is loaded the pre-amp mid frequencies making DSL ideal for contemporary metal tones, especially when combined with higher gain settings. Over the past year or two, we've seen not one, but three massive signature amps - for Slash, Yngwie Malmsteen and Joe Satriani - and now Marshall has turned its attention to an amp range that for many years has been the cornerstone of the company's catalogue: the This amplifier comes equipped with dual-channel layout featuring Classic and Ultra Gain settings, providing you with a wide range of tonal options. Maybe some baseline settings for a good heavy 80s hot rodded marshall tone if I’m running it Jan 29, 2010 · Re: Marshall DSL for Thrash Metal? I play a fair amount of metal on my DSL, I find the sweet spot for the volume is around 6 to 7, it likes to be played loud!!! :-) As far as settings for thrash, I use the Lead channels. xD digitech thl-2 hardwire metal distortion My tastes fall into blues-rock, classic rock, hard rock, and heavy metal. I dont The Marshall DSL 40 has more tonal options. Part of Marshall's updated DSL series, it has innovative features for players at every level. Of course Marshall had to stop making the 201. When I wanna play some absurdly heavy grindcore/noise, I like to use this setting with my MIJ Boss Hm2. Being able to run some nice clean tones as well as some grit would be ideal. Does everything from cleans to blues to rock to metal. Keep in mind that higher settings will #DSL20HR #Deicide #DeathMetalOriginal by DeicideAll rhytm guitars recorded straight into the amp, no additional effects. So many questions from you all about dialling in metal tones with this amp. Mar 13, 2018 · Marshall Amplification. The dsl will probably be more versatile but they are both solid. Its got as much gain as you ever Hi! I'm currently searching for my first tube amp and find out that I want start with a Marshall amp because it fits better my music taste (I enjoy playing blues, rock, hard rock, some old metal and some funk/soul eventually, so thinking about musicians/bands like Jimi Hendrix, SRV, Jimmy Page, David Gilmour, AC/DC, Metallica, Stevie Wonder and so on). But both the Marshall and the Orange will benefit from a boost if you want to be in extreme metal territory. I'm pumped to take it for a spin on some Blink songs when it arrives, but even as a pretty experienced guitar player, I'm relatively clueless when it comes to EQ settings. hi! like I said, first entrance YEAH! hope you dig it n´ wait for a lot more stuff. These DSL amps are laden with Marshall tone, features and functionality for the With these settings, boosting the ADA with a Boss SD1 MIJ (vol at maximum, gain at zero and tone at 13 o'clock) you have the right push to go out with solos. No regrets and much better tone. 1. g. Expand user menu Open settings menu. Plus I love the fact that it scales down to 0. I like to eq in the dark or even with my eyes closed so To achieve the perfect metal tone, tweak the EQ settings on your Marshall amp for a more finely tuned sound. By Metal Head 13 from Mesa, AZ on April 27, 2019 Music Background: Hobbyist. Something that's versatile that can get close to tool and gojira type tones, (obviously two very different tones). This was an important change compared to older amps that went into overdrive easier. The DSL is more of an 80s and onward style sound. Pickups are Tonerider Generator. Recorded with The Ultra Gain channel, on the other hand, caters to the heavier side of life, and starts with the JCM800-influenced Lead 1, a searing lead tone that 80s metal fans in particular will lap up. I love how Valvestates sound in clean, at least my two VS100R. Read all Introducing the Marshall DSL100HR 100W Tube Amp Head, a powerful beast that combines the classic, legendary Marshall tube tone with modern features for today's musicians. 92 0 🇺🇸美国旋律金属核All That Remains-Forever Cold官方吉他演示（JR恰饭声卡） Those 80s/early 90s metal tones are nailed by the DSL. Begin with a high-gain amp model and access the lead Set all knobs at noon with presence off. No mid shift, no deep button. Zoom in to see the dial positions (in red characters) and notes: And a shot of the DSL40C post tube swap: full of our famed Marshall tone. Then save $8/month for 4 mos. Speaking of flexibility, this amp does not hold up well against the JVM410H in that category, but it may beat it in certain respects. They're not just "the budget Marshall", they're more like the Marshall take on a Rectifier kind of sound.